Entries about rain

When we use the term ‘monochrome’ we might be assumed to be talking about black and white photography, but I also like to take colour monochrome photos, by which I mean colour images that consist mainly of shades of a single colour. Let me show you what I mean.

Sunrise and sunset are obvious times of day for such photos as the warmth of the sun tints everything around.

The blue light of dusk has a similar effect – and in winter dusk comes early in northern Europe.

In January 2013 we travelled to Tromsø in search of the Northern Lights and were fortunate enough to see them several times. But our time there, and cruising the fjords to the north on a Hurtigruten ship, also gave us the opportunity to see something of this beautiful country, although the days were very short.

The previous year we had visited Iceland on a similar but less fruitful quest, but that trip was even more rewarding photographically speaking, as I hope this, and several others of the photos I've selected for this blog, will show.

But bad weather, often cursed by photographers (including me!), can provide great opportunities too. I spent much of our boat trip on Chile's Lago Todos los Santos wishing the clouds would clear so that we could see the surrounding mountains, but in the end I was happy with the moody photos I took there.

We had similarly damp and dreary weather on the first day of our visit to Japan's Kamikochi National Park. Kamikochi did have a certain beauty in the rain, although it had meant that the mountains we had come to see were hidden from view. Luckily we were to get a glimpse of them on our final morning in the park, but meanwhile there were still photo opportunities to be found.

Unsurprisingly we had some bad weather in Iceland too, although also a couple of glorious days - this isn't one of those!

While not precisely bad weather, steam from geysers creates the same effect as fog or mist, muting colours and softening the scene.

One of the geysers of Iceland, the Great Geyser (Icelandic name, Stori Geysir) , gave its name to the phenomenon as a whole, with geysers all over the world named after it (geyser is Icelandic for 'gusher'). Sadly the Great Geyser is these days more or less inactive (although occasionally it can be coaxed back into life when artificially stimulated with carbolic soap powder). But luckily another nearby geyser, Strokkur, is much more obliging, and erupts at regular 5-10 minute intervals. It may not reach the heights that its neighbour once did, but at 30 or more metres it is still a pretty impressive sight. And I promise you, these are not black and white photos!

Of course, geysers are not confined to Iceland, and in Chile we visited the famous El Tatio Geysers, best seen at dawn when the steam is most active and visible, and the light is of course subdued.

El Tatio geyser field, Atacama Desert, just before sunrise

Similar effects can be found in stark landscapes, where there is little vegetation and colours are often muted. The White Sands of New Mexico are a perfect example. Imagine a desert with dunes that stretch to the horizon, dotted with a few hardy plants and baking under a hot sun. Now imagine that the sand in this desert is not yellow, but as white as snow, and you will have some idea of what it is like here.

Closer to home, one of my favourite photographic locations is Druridge Bay in Northumberland, preferably on a crisp winter's day.

And talking of the Northumberland coast brings us to seascapes. Again, Northumberland provides some of the best.

But perhaps the most dramatic coastal scenery I have been able to photograph to date is that of South Iceland, where big seas and black sands make for exciting views.

Another option for monochrome colour images is to get in close to your subject, so only one colour fits into the frame. Let's finish with some examples of this.

Plant pot at the Ryoan-ji Temple in Kyoto