Entries about morocco

When we use the term ‘monochrome’ we might be assumed to be talking about black and white photography, but I also like to take colour monochrome photos, by which I mean colour images that consist mainly of shades of a single colour. Let me show you what I mean.

Sunrise and sunset are obvious times of day for such photos as the warmth of the sun tints everything around.

The blue light of dusk has a similar effect – and in winter dusk comes early in northern Europe.

In January 2013 we travelled to Tromsø in search of the Northern Lights and were fortunate enough to see them several times. But our time there, and cruising the fjords to the north on a Hurtigruten ship, also gave us the opportunity to see something of this beautiful country, although the days were very short.

The previous year we had visited Iceland on a similar but less fruitful quest, but that trip was even more rewarding photographically speaking, as I hope this, and several others of the photos I've selected for this blog, will show.

But bad weather, often cursed by photographers (including me!), can provide great opportunities too. I spent much of our boat trip on Chile's Lago Todos los Santos wishing the clouds would clear so that we could see the surrounding mountains, but in the end I was happy with the moody photos I took there.

We had similarly damp and dreary weather on the first day of our visit to Japan's Kamikochi National Park. Kamikochi did have a certain beauty in the rain, although it had meant that the mountains we had come to see were hidden from view. Luckily we were to get a glimpse of them on our final morning in the park, but meanwhile there were still photo opportunities to be found.

Unsurprisingly we had some bad weather in Iceland too, although also a couple of glorious days - this isn't one of those!

While not precisely bad weather, steam from geysers creates the same effect as fog or mist, muting colours and softening the scene.

One of the geysers of Iceland, the Great Geyser (Icelandic name, Stori Geysir) , gave its name to the phenomenon as a whole, with geysers all over the world named after it (geyser is Icelandic for 'gusher'). Sadly the Great Geyser is these days more or less inactive (although occasionally it can be coaxed back into life when artificially stimulated with carbolic soap powder). But luckily another nearby geyser, Strokkur, is much more obliging, and erupts at regular 5-10 minute intervals. It may not reach the heights that its neighbour once did, but at 30 or more metres it is still a pretty impressive sight. And I promise you, these are not black and white photos!

Of course, geysers are not confined to Iceland, and in Chile we visited the famous El Tatio Geysers, best seen at dawn when the steam is most active and visible, and the light is of course subdued.

El Tatio geyser field, Atacama Desert, just before sunrise

Similar effects can be found in stark landscapes, where there is little vegetation and colours are often muted. The White Sands of New Mexico are a perfect example. Imagine a desert with dunes that stretch to the horizon, dotted with a few hardy plants and baking under a hot sun. Now imagine that the sand in this desert is not yellow, but as white as snow, and you will have some idea of what it is like here.

Closer to home, one of my favourite photographic locations is Druridge Bay in Northumberland, preferably on a crisp winter's day.

And talking of the Northumberland coast brings us to seascapes. Again, Northumberland provides some of the best.

But perhaps the most dramatic coastal scenery I have been able to photograph to date is that of South Iceland, where big seas and black sands make for exciting views.

Another option for monochrome colour images is to get in close to your subject, so only one colour fits into the frame. Let's finish with some examples of this.

Plant pot at the Ryoan-ji Temple in Kyoto

I enjoy photographing all sorts of architectural details (more may appear later in this blog) but there is something especially interesting about doors and windows. In a plain building, they are often the most decorative feature, and always they invite you to wonder about what lies within.

I have visited a number of European cities or even entire countries whose windows and/or doors have drawn me to photograph them in significant numbers. Let’s start with some of my favourites.

Iceland

For the most part Iceland is memorable for its landscapes rather than its architecture, but both in Reykjavik and elsewhere I found its colourful corrugated metal houses very photogenic:

Riga

The capital of Latvia is best known, architecturally, for its glorious Art Nouveau buildings (which will surely feature sooner or later in my blogs here). But to the south of the old town lies another district that I found equally captivating photographically-speaking, Latgale, more usually known as Maskavas forštate or the Moscow District. This is a traditional working-class area with a mixed population (Russian, Latvian, Jewish and more). The architecture is a mix of faded Art Nouveau grandeur and traditional 19th-century wooden homes that seem quite rural in character and a little out of place so close to a city centre. Here there are few tourists, but a photo around every corner and a rough-edged picturesqueness if you take the time to search it out.

Tallinn

In Tallinn it was not windows but doors that caught my eye, and my lens. As I walked around the oldest parts of the city, both the lower and upper towns, I was struck by the large number of beautiful wooden doors on the old buildings, and took lots of photos:

Portugal

A Virtual Tourist Euromeeting (read more about what that is here: You can kill a website but you can't kill friendships) brought me to Portugal’s Algarve. I don’t generally do “sun, sea and sand” holidays but in addition to the usual excellent company of VT friends I also found here plenty of history and some beautiful old buildings in the heart of Faro and even touristy Albufeira. I was especially struck here by the many old wooden doors with filigree metal inlays covering their windows. These seem to be part of a clever design – behind the metalwork are shutters that can be opened to let cool air into the house without any loss of security.

The doors often also have the traditional hand-shaped door knockers known as the Hand of Fatima or Mãos de Fátima in Portuguese:

These are more prevalent in Muslim countries on the whole, but very common here too – possibly due to the old Moorish influence which pervades other aspects of the architecture. There are various stories about them, for example that they protect the house from evil. I also read that where there are two knockers on a door one is male and one female, and that visitors would be expected to use the one appropriate to their own gender. As each had a different sound the women of the household would know whether or not they could open the door.

Sibiu

Another Virtual Tourist meeting brought me to Sibiu in Romania, where many of the roof tops have these distinctive small windows often referred to as the “eyes of Sibiu”:

But there were other windows, and doors too, that caught my eye:

Italy

One of my favourite regions of Italy is Marche, with its ancient stone village atop the rolling hills. Here are a few photos from there:

New Mexico

Further afield, the adobe architecture of New Mexico really appealed to me, and the insertion of often brightly painted wooden window or door frames in the earthen walls makes for interesting contrasts:

Morocco

Whether ornate Islamic architecture or more humble homes, there are plenty of photogenic window and doors to be found in Marrakesh and elsewhere in Morocco. The following photos were taken on two visits to Marrakesh:

Window and door details, Marrakesh

Cuenca

Cuenca is known in Ecuador for the attractiveness of its old doors, both on major buildings such as churches but also, as in these photos, on regular houses:

Japan

While for the most part Japan is a modern country, you can still find plenty of example of its traditional architecture, with paper screen walls and the calm geometrical simplicity of its doors and windows, as here in the old merchant houses of Takayama:

During the Edo period Takayama was largely a merchant, rather than a samurai, town, and its architecture reflects that fact. The streets of the old town are lined with houses of a style that accommodated both family and business life. The light inside these houses was beautiful, and the contrast of the heavy dark beams, the lighter lacquered wood used for door frames, pillars etc., and the translucent paper screens was captivating:

And let’s finish with a selection from elsewhere in the world:

Door, Bibi Khanum Mosque, Samarkand

Another of my favourite subjects for photography is a local market – the more colourful and livelier the better. There are two main attractions for me as a photographer – the variety of often unfamiliar produce on display, and the local people who shop or sell in these markets. I will feature ‘People’ as a theme in a later blog entry for sure, but some are certain to find their way into these market photos too!

Some of the best markets I have visited have been in Africa.

Senegal

Every Wednesday there is a large market in the village of Ngueniene, which draws people from miles around - to buy or to sell, but also, it seemed to me, to meet and gossip. A visit here is a popular outing for tourists, but still they are hugely outnumbered by the locals and it is a totally authentic experience. In fact there are two markets - one for animals and one for everything else - and I mean everything!

You have to be a little discreet if you want to get photos of the locals here. Most people don't mind you photographing the goods on sale, and some of the men were happy to be in my photos, but on the whole the women preferred not to be photographed. If they asked me not to, I put the camera down, but I have to admit to shooting a few of these pictures "from the hip"!

After spending some time in the main market we moved on to the animal market on the other side of the village, travelling between the two on a traditional horse cart. Here there is a much narrower range of goods on offer – goats, sheep, cows, donkeys and horses. Until very recently, our guide told us, all business was done here by exchange - two goats for one sheep, five sheep for one cow and so on. Nowadays people are more likely to use cash, but some trading still goes on.

While the men we saw were obviously here to sell, it also seemed to me to be a great excuse for them to catch up with friends as there was a lot of standing around chatting going on. I found that they were more relaxed and generally seemed less bothered by my camera than in the busy main market.

Gambia

Serekunda Market is the largest in The Gambia – a mad melee of sellers, shoppers and a few tourists that pack the streets of this small town every day.

The market takes place all day and every day. Few Gambian homes have freezers, and with frequent power cuts the fridge cannot be relied on to keep food fresh, so the women (and it is still always the women) shop daily for fresh vegetables, fruits, herbs, fish etc. The place was so packed it was hard to make progress at times, especially with the occasional car or bush taxi trying to squeeze through the crowds and the many porters with their wheelbarrows (all licensed by the government, with "number plates" to prove it).

Marrakesh

The souks of Marrakesh are perhaps the most photographed markets of all. Unlike in sub-Saharan Africa, I’ve found it much harder here to include local people in my photos as they are really not happy to see a tourist camera pointed in their direction, but if you’re discreet then it can be done:

North of the Djemaa el-Fna the narrow souks weave and intersect in the most confusing (to the visitor) of manners. Locals outnumber tourists here, even though this is the Marrakesh that everyone comes to see. Donkey carts and mopeds add to the confusion and at times it is difficult to even find the space in which to stand and take a photo! The goods on display are so distinctive and vividly coloured that they form my favourite subject-matter here:

In Latin American countries too we have been to some wonderful markets. Here is a selection of photos from that part of the world:

Market day in Petzun, Guatemala

Pisac, Peru

But you don’t have to leave Europe to find colourful markets. Let me finish with a selection of images from several European cities:

In Riga's Central Market

If you've enjoyed this page you'll find lots more of my market photos in my blog entries about Jaipur, Otavalo, Pujili and Munnar, among others.